![]() If you pick a compact camera, get one with a long zoom lens already attached – probably a bridge camera. That means you'll need some telephoto range. Ideally, you want to fill the frame with your wildlife subject, but most wild animals are pretty tough to get close to. Be aware that cameras will generally be able to capture a larger buffer of JPEGs than RAW files The write speed of the memory cards is also a factor, so get the fastest card that you can afford. A bigger buffer means more shots, means a longer burst, means a greater chance of capturing the moment you want. Buffer depth refers to how many continuous shots a camera is capable of capturing without stopping. A sophisticated autofocus system with good coverage of points across the frame is the key to achieving this. You need to be able to focus quickly on a subject that's moving unpredictably. A camera that can capture a lot of frames in quick succession is your best bet. Animals rarely stay still and may exhibit the behaviors you want to capture for just fractions of a second. ![]() Being able to shoot a fast burst of continuous images is desirable no matter what kind of wildlife you're photographing. Here's a quick run-through of the most important features to look for when making your choice. When you're looking for a good wildlife photography camera, there are several things to consider. What to look for in the best camera for wildlife Read our full Fujifilm X-H2S review for more details The X-H2S is the ultimate professional APS-C camera and is ideal for wildlife and sports. There's so much power here that only a professional photographer or videographer will need it – and it comes at a price. The X-H2S can shoot at 40fps with minimal screen blackout, capture 6K video or 4K at up to 120p, has in-body stabilization, a flip-out vari-angle screen, and a 5.76m dot electronic viewfinder. The Fujifilm X-H2S is the fastest camera in the Fujifilm X-mount range, with a chunky pro-spec body and handling, a top-mounted status panel, and a fifth-generation sensor offering four times the speed of its predecessor. Read our full Nikon Z9 review for more details ![]() The newer Nikon Z8 is very similar - but does not have the big built-in battery grip The Z9 comes in quite a bit cheaper than both the Sony A1 and the Canon EOS R3 and it has a lot of advanced features. It has the same 493 AF points as the Nikon Z7 II which seems impressive until you find out that the Canon EOS R3 has a whopping 4,779 AF points. The Z9 is powered by Deep Learning AF which makes the camera capable of nine kinds of recognition: human eyes, faces, heads, and upper bodied animal eyes, heads, and bodies and cars, planes, trains, and motorbikes. Nikon decided to remove the mechanical shutter completely which means the Z9 is capable of 120fps continuous shooting and has a max shutter speed of 1/32,000 which makes it perfect for sport and bird photography. It's capable of 8K 60p video recording or 8K 30p with an enormous 2-hour record limit. It's an absolute beast of a camera when it comes to video, knocking the Canon EOS R3 out of the park. Nikon might've been late to the game in launching its professional, top-spec mirrorless but the Nikon Z9 was definitely worth the wait. ![]()
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